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Film & TV

<p class="font_8">Isabella speaks with deliberate warmth, not in performance, but by choice. For Isabella, her worldview is shaped by the dance studios she spent her childhood in, instead of cinema seats, by encouragement rather than expectation. Before stepping into the ornate universe of <em>Bridgerton</em>, Isabella was learning how to listen to her instincts, how to move through the world with curiosity and faith in what’s meant to be. Arriving in an industry as she describes that rarely imagines someone like her at its centre, and discovering that optimism, far from naïveté, can be a discipline — one that has carried her from rehearsal rooms to one of television’s most visible series.</p>
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<p class="font_8">Growing up in Hong Kong in a family that, by her own admission, “really doesn’t watch movies or TV shows,” aside from Barbie films she loved and Marvel movies her brother put on. Dance, not cinema, was her first language, guided by a formative teacher from age ten to fifteen who showed her that the arts could be more than an after-school hobby.</p>
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<p class="font_8">Her parents, who grew up in Canada, brought an unusually international outlook to a traditionally conservative conversation: an Asian daughter pursuing the arts. “It’s quite untraditional, especially for Asian families,” she says, but they encouraged both her and her computer-science-studying brother to follow what made them feel most alive. “You have a lot of Asian families who are like, there’s no way you’re going into the arts. That must be a joke,” she says. “But my parents…just really encouraged me and my brother to pursue what we were interested in and passionate about.”</p>
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<p class="font_8">By the time <em>Bridgerton</em> first dropped on streaming, Isabella was watching it like everyone else - utterly unprepared to see herself there one day. “The idea that I would see myself there, especially as an Asian woman in a Regency period English show, just kind of didn’t ever cross my mind,” she says.​</p>
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<p class="font_8">The casting process went on so long that she began negotiating with herself. “You kind of start trying to reason with yourself and manage your expectations and tell yourself that, okay, well, probably it’s not going to happen,” she remembers. “The longer you have to marinate with it, the more you kind of knock yourself into reality.”​</p>
<p class="font_8">Reality, as it turned out, involved walking into an established juggernaut as the new girl. “I remember that first day walking into the table read, I was so nervous,” she says. “Everyone knows each other, everyone’s friends, they’ve been doing it for years. It’s kind of like all of a sudden joining a family.” &nbsp;But the cast disarmed her nerves within minutes, greeting the newcomers with a warmth that mirrored their onscreen personas, “almost like the best parts of their characters in an actual human person.”</p>
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<p class="font_8">Her character Posy arrives with what Isabella calls “quite a sunny kind of disposition,” and the overlap between them was immediate. “I think I’m someone who almost unconsciously always thinks on the bright side,” she says. “I’ve been told in the past that maybe it’s too naive of me, but my number one instinct is always to assume good rather than assume bad.”​</p>

Isabella Wei

<p class="font_8">Linnea Berthelsen has always approached every role with consideration and emotional depth; in fact, it’s always been her first priority. When asked if there’s a single moment that inspired her to begin her career in acting, she says it's a mix of many. Having discovered her love for acting through community theatre, grounding herself and exploring the depth of each character has always felt personal and paramount. Berthelsen speaks openly about how she prepares herself, especially when it comes to Kali and the trauma she carries. While Kali may be one of the show’s most complex figures, Berthelsen remains committed to that complexity, with her love for acting at the heart of every movement, word, and portrayal.</p>
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<p class="font_8">Alice: What first drew you to acting, and was there a moment when you knew it was something you wanted to pursue?</p>
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<p class="font_8">Linnea: I thought about it, if there was a single moment that felt defining. But truthfully, I think there were many.</p>
<p class="font_8">I was working backstage one summer on a community theatre production of <em>Bye Bye Birdie</em> in Pennsylvania when I was 17, and I was completely disarmed by the sheer joy that musicals brought to an audience, that was one moment.</p>
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<p class="font_8">I backpacked for 1,5 years when I was 18 and by the end of my trip, &nbsp;I got spend time in NYC and LA where I did my first acting class at the Barrow Group in NYC and in LA, &nbsp;I spontaneously did my first little audition, that was another.</p>
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<p class="font_8">But I think that ultimately, applying to drama school felt very defining. I was still debating degree options when a headmaster at one the schools at the third rounds of auditions asked me to make a commitment. That’s when I think it became clear to me.</p>
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<p class="font_8">I’ve always felt quite driven, and when I fell<em> </em>deeply in love with acting, I worried that I didn’t come into the industry with a childhood connection to the profession like a lot of my peers had. It had never been a hobby, I never acted as a child, so it’s always been a profession to me.</p>
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<p class="font_8">Alice: How do you approach building a character from the script?</p>
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<p class="font_8">Linnea: I definitely start with the script to find out what the material asks of you, a bit of a general theatre script analysis approach. What are the physical requirements? What is my function within the story? And then I try to build a bit of plan around that.</p>
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<p class="font_8">Matt and Ross’s script asked for quite specific physicality and required me to understand some fairly complex questions and concepts.</p>
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<p class="font_8">I was lucky that I had quite a lot of time due to strikes, so I got to work slowly and with both a brilliant PT in London for a year to balance that physicality, and a coach from New York (who works with Creative Dream Works) who I’ve worked with prior to this for years, to discuss everything with.</p>
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<p class="font_8">I’ve worked with a lovely group of coaches for 7-8 years, that I know really well by now, and I usually make some sort of plan with them and try out things as we build.</p>
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<p class="font_8">Alice: Has your acting process changed since your early roles?</p>
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<p class="font_8">Linnea: Definitely!</p>
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<p class="font_8">All the time. You’ll hopefully learn something every time you do a production or go into some training that you can bring back to the process.</p>
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<p class="font_8">And I get immensely inspired by fellow actors and try to apply some of their approaches to my work if I can.</p>
<p class="font_8">Nick Offerman in <em>DEVS (2020)</em> was a pure masterclass in comedic precision and nuanced drama and his work completely blew my mind!</p>
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<p class="font_8">Alice: How do you balance instinct and preparation when stepping onto set?</p>
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<p class="font_8">Linnea: I prepare a lot. I drill a lot, both lines, but also physicality wise so that my body has somewhere to go as a default, and that sort of allows me to be more free within a scene.</p>
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<p class="font_8">I did gymnastics and contemporary dance for 15 years prior to acting, so there is a part of me that enjoys solid choreography as a baseline and treating it a bit like doing a piece of jazz music - learn the beats fully, to be able to be free.</p>
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<p class="font_8">The dream would have been to be a comedic genius of course - who can just ride the waves of a scene, but that definitely wasn’t on the cards for me!</p>
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<p class="font_8">Alice: How important is collaboration with fellow actors in shaping a performance?</p>
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<p class="font_8">Linnea: Very important, I think. We depend on each other, both cast and crew to shape our performances in all departments.</p>
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<p class="font_8">I come from a bit of a theatre and ensemble culture, so I honestly find it immensely helpful to collaborate, be present for each other's takes, (even just for those small moments) which this cast and crew are just exceptionally good at.</p>
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<p class="font_8">I think it grounds the work so much, and we get so much information from each other as we do the scene.</p>

Linnea Berthelsen

<p class="font_8">It’s easy to frame Jen Affleck as a viral MomTok star or a reality television fixture with millions of followers; she is, after all, a familiar face to many, known for her viral and rather iconic counter top dancing, a main cast member on The Secret Lives of Mormon Wives and a contestant of 2025’s Dancing With The Stars - the most watched season to date. But she is also a young mother of three navigating faith, marriage, and visibility in full view of the internet, learning, sometimes painfully, what it means to exist as herself rather than who she was expected to be.</p>
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<p class="font_8">To understand Jen Affleck right now is to understand a woman who has lived several lives by the age of 26 and who is no longer interested in shrinking herself to make any of them more palatable.</p>
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<p class="font_8">“Before all of this, I was the type of person who worked really hard to be what everyone else needed me to be: acceptable, likeable, and safely inside the lines,” she tells me early on. “Now, I’m someone who is committed to being fully myself, even when it’s messy, misunderstood, or uncomfortable. It’s helped me find my voice and be more genuine to my authentic self as I grow, mature, and change.”</p>
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<p class="font_8">That shift, from conformity to commitment, sits at the heart of Jen’s story. Her rise was not gradual or private; it unfolded publicly, algorithmically, and at speed. What began as relatable content about motherhood and family life quickly grew into a platform large enough to sustain her household, and eventually into television exposure that removed much of the control social media once afforded her. When I ask her whether being on television changed how she understands herself, she doesn’t hesitate. “Absolutely, I’ve learnt so much more about who I am since being on the show than I ever allowed myself to see before,”she says. “Having my life and choices out in the open has forced me to confront what’s real for me, separate from what I was taught to be and it’s pushed me into a much deeper, more honest relationship with my own identity. ”</p>
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<p class="font_8">That confrontation has not been tidy. Jen is clear that growth, especially accelerated growth, comes with discomfort. “There have been growing pains, lessons learnt, and mistakes made,” &nbsp;she adds, “but I feel I have grown more in the last two years than the previous 20 combined.”</p>
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<p class="font_8">With that growth has come exposure, and with exposure, an erosion of privacy that cannot be undone. Jen is thoughtful about the distinction between curated online presence and the reality of unscripted television. “With social media it was easy because you chose what people see, and oftentimes it’s not your real reality,” she explains. “With reality TV you get to see the raw, unedited side of things. And it’s giving people at times too much access to our lives without full context.”</p>
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<p class="font_8">That loss of control can feel destabilising, especially when opinions form faster than understanding. Still, Jen doesn’t frame it as purely negative. “But we have challenged the status quo and made what I feel is an important change in our community and an impact on young moms and women in general,” she writes. The vulnerability, for her, needs to matter. It needs to reach beyond entertainment.</p>
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<p class="font_8">Living under near-constant commentary has required a recalibration of self-worth. Jen is pragmatic about the volatility of public approval. “You can’t get too attached to other people’s opinions of you,” she says. “One day they love you, the next day they hate you, and you haven’t changed at all.” What matters, she has learnt, is internal anchoring. “Take the highs and lows with a grain of salt, and stay grounded in who you know you are and the values you choose to live by. The rest is just noise.”</p>

Jen Affleck

<p class="font_8">Courtney Taylor is stepping into the spotlight with power, poise, and purpose. With an undeniable spark, Courtney has become a standout voice in a new era of story telling. Courtney brings range to each role she plays with a grounded perspective, which fans are embracing with open arms. Courtney opens up about what’s involved in roles she’s taken on, from characters with trauma to high stakes rolls both mentally and emotionally. Beyond the screen Courtney has embarked on a journey of person growth including learning how to speak to herself with kindness and the simple joys that keep her centred. Courtney offers a glimpse into the heart of an actor who’s not only reshaping stories but reshaping her own narrative.</p>
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<p class="font_8"><strong>Alice: </strong>Congratulations on your new series<em> “Ballard”. </em>Were you familiar with the <em>Michael Connelley</em> novel series?</p>
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<p class="font_8"><strong>Courtney:</strong> Not fully, actually. The first time I was unknowingly introduced to Michael Connelly was <em>The Lincoln Lawyer </em>with <em>Matthew McConaughey.</em> It wasn't until I saw the reimagined series and then fell in love with the <em>Bosch</em> franchise that I recognized how substantial his work was. When I got the audition, I started on the <em>Ballard</em> and<em> Bosch</em> book series so I could get to know this world, and I'm so hyped that I did. The series is incredibly well done. The story telling is so captivating! I'm eager to catch up on his latest release.</p>
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<p class="font_8"><strong>A:</strong> In what ways did you prepare yourself to play this role?</p>
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<p class="font_8"><strong>C</strong>: I watched <em>Bosch</em> like it was my job. It helped me get the visual representation of the book series, one that I knew had the stamp of approval from Michael himself. It was the best resource I had.</p>
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<p class="font_8"><strong>A: </strong>What was it like working alongside Maggie Q on a spin off from such a popular and well-loved series?</p>
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<p class="font_8"><strong>C:</strong> It was a dream. I think it would have always felt daunting to take on the beloved fan base, create a spin-off, and also an entirely new side of this world. But with Maggie at the helm, I knew we were in good hands. What a rockstar. She was the perfect leader. She made the set feel so communal, all we ever did during our downtime was laugh, workout, and enjoy conversation. With such a heavy subject matter, those moments felt like a much-needed reprieve. I have to thank Maggie for that.</p>
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<p class="font_8"><strong>A: </strong>Were there any personal experiences that helped you to understand and play this character?</p>
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<p class="font_8"><strong>C:</strong> I'd say that I am just as passionate about my work as an actor as Parker is with her job. Some would even say stubbornly passionate, just like Parker. I can get bull-headed about a choice or heated about an opportunity not going my way. So being able to use that passion for Samira, a person who wants nothing more than to get it right, felt so good. Almost cathartic!</p>
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<p class="font_8"><strong>A:</strong> This book series is popular, and with it being made into a series, did you feel any pressure or expectations from fans on the character you are embodying?</p>
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<p class="font_8"><strong>C: </strong>Of course! To be fair, I feel pressure every time I perform, but this one in particular! Shaking in my boots! If I've learned anything from creating content with a built-in, loyal book fanbase, it’s that those people mean business.  But after getting the seal of approval from not only Titus Welliver, but Michael himself, I knew we had something good on our hands. I'm so thrilled it's being received so well.</p>
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<p class="font_8"><strong>A:</strong> How do you unwind from long days on set and step back from the emotions you feel when embodying the character?</p>
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<p class="font_8"><strong>C:</strong> I usually throw on one of my cartoon favourites. I'll bounce between <em>Steven Universe</em>, <em>Bob's Burgers</em>, and <em>Rick and Morty</em>. That usually do the trick.</p>
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<p class="font_8"><strong>A:</strong> There are themes and exploration of trauma in the series. Do you find it hard to act in those scenes and then leaving those emotions with the character?</p>
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<p class="font_8"><strong>C:</strong> I do find it difficult. This was one of my first times accessing trauma in this way, and I had no idea how it would affect me on the day. When I filmed my scenes, the anger that came to the surface was hard to wind down. But luckily, with the help of the cast and crew, they gave me the space I needed to come down from those emotions.</p>
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<p class="font_8">@theo.official @chic.noise @antoninias @noritamy @madebymary @adiba.official @thepop.group @michelemariepr @maisonpriveepr_la</p>
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Courtney Taylor

<p class="font_8">“Good morning!” I greet Pierson Fodé, “I didn’t wake you up too early?” I ask as we jump on a call the day before his HATC Magazine cover shoot. He’s on the West Coast, navigating late nights and early wake-up calls, having travelled through copious time zones in the midst of his busy schedule and press engagements for his latest roles in The Wrong Paris and Swiped. As someone who feels like they’ve been hit by a truck any time jet lag is involved, I’m impressed by how bright he seems. For Pierson, traveling west to east is what gets him, making it a little smoother to come back from his Paris engagements than to go. Over the past month, Pierson tells me he’s taken six to eight red-eye flights back and forth, all while juggling shooting another project. Hitting that wall is inevitable, though Pierson tells me in some ways he’s used to the lack of sleep, having suffered with chronic insomnia. For Pierson, getting back to a normal form of sleep is all about getting back into a routine. As a professed homebody, it’s all about hanging out with friends and watching movies, admitting he’s never been much of a partygoer. It’s the season for embracing those Autumnal winter evenings. It’s been a whirlwind of a time recently with charting show after charting show finding its place on streaming giants worldwide, but I’m keen to talk about his childhood growing up on a family-run farm in Moses Lake, Washington, and its role in building his identity. Coming from a long lineage of farmers, he tells me that farming is hard work and never easy. “Hard work is not an option; it’s built into my DNA.” Starting the day in the early mornings before the sun comes up, and continuing on long into the night, Peirson found himself learning all kinds of skills. “Every single day, you're fixing whatever needs it from the night before. You're mending fences, and you're helping the animals after they escape into the neighbour's yard.”. Im curious to what it's taught him over his formative years. “I think for me it taught me true resilience and grit. I saw what my parents went through every day. You have no control over the weather or whether the seed decides to grow, so you do your best to provide it with the perfect environment for this little bit of life that goes out to feed the world. But at the end of the day, you can't control how often the sun shows up in front of the clouds.”</p>
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<p class="font_8">It's elements like resilience that Pierson carried forward into his life as an Actor in Hollywood. “All those elements - resilience and that grit really shaped who I am. You can't pull that out of me.” It seems you can take the farmer off the farm, but you can't take the farm out of the farmer. “Anytime things get crazy in Hollywood, anytime you're at the party or event and things get a little bit exciting, that resilience and that grit always stay there, no matter how hard it gets, no matter how easy it is. It keeps me the same person, no matter what's going on in life. It's the hard reset button to my soul. I'm just always connected to that.”</p>
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<p class="font_8">When it comes to our identities and how they inevitably change, there’s no surprise of the overlap and comparisons from that boy on the farm and his childhood love of film, specifically the classics of Star Wars, Charlie Chaplin, and The Three Stooges. Those stories and their exploration of characters —flawed, heroic, messy, and comedic — have had a lasting impact on the identity he’s come to know as an actor. “Film and TV are my second language in so many ways,” he explains. “Growing up, it was my way of exploring life and the world beyond the farm. Those films created the moment that I realized there was so much life beyond the farm. The same way Luke was going off to save the galaxy, I was like, Oh, maybe I can go learn about the force or make movies. One of the two has got to be real.” For Pierson, it was a way of connecting with the world beyond his own immediate world. “It’s this incredible way to touch people's lives. For 90 minutes, we all jump into a theater, or sit on the couch, and it doesn't matter what race, religion, or political identity you have, it really brings us all to the same point where we laugh at the same jokes or we have tears welling up at the same moments.”</p>

Pierson Fodé

<p class="font_8">Fresh out of drama school, Ernest Kingsley Jr. hasn’t so much stepped into acting as leapt headfirst, with a mix of curiosity and fearlessness that’s rare to watch. He’s gone from the dreamlike world of “The Sandman” to the raw tension of “War of the Worlds”, and now, he’s about to take on “Washington Black”, playing Wash, a boy whose escape from a Barbados plantation sparks an adventure bigger than survival.</p>
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<p class="font_8">Chosen personally by Sterling K. Brown, Ernest carries this role with a kind of open-hearted intensity — the feeling of someone who still pinches himself every day, grateful to be telling stories that matter.</p>
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<p class="font_8">A: With Washington Black being a layered and powerful story; what was it that initially drew you to the role, and how did it feel undertaking the role of such a transformative character?</p>
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<p class="font_8">E: So many things drew me to the role. It was a no brainer decision! I think what solidified it was the adventure, the heart, the ingrained love in the writing. It’s the story of a beautiful young man, who maintains the power to dream up a world greater than the troubling one he finds himself in.</p>
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<p class="font_8">I definitely had some imposter syndrome when I first got the role. I doubted if I could bring justice to the character, which I think is common amongst a few actors, but it turned out to be such a generous process and adventure.&nbsp;</p>
<p class="font_8">Washington Black has shown me so much of who I am, and who I can be!</p>
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<p class="font_8">A: With the book being so popular were there any pressures you felt in doing it justice for fans?</p>
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<p class="font_8">E: From quite early on, I tried to make the separation between the book and the screenplay. The book is incredible, and Esi (Author) has done something magical. Selwyn (Showrunner) used the book as a springboard into something more. I trust in his vision so, that pressure from fans never really affected me as much.</p>
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<p class="font_8">A: Freedom and identity are crucial themes throughout the series, how do these themes resonate with personally, as the one responsible from bringing the story to life?</p>
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<p class="font_8">E: For me, identity brings freedom. Knowing who you are, what you stand for, where you’re coming from. This is why playing Wash was such a gift. Here, you have someone who has been poured into by so many people, with love. He holds on to those people, to that love, and it informs how he lives his life, how he dreams, and how he flies.</p>
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<p class="font_8">I try to hold on to my loved ones, my family, my friends. They remind me of who I am, and they give me freedom, in that sense.</p>
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<p class="font_8">A: Having to portray a character who navigates trauma, displacement and resilience… alongside continents is a challenging task, how is it you mentally and emotionally prepare?</p>
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<p class="font_8">E: Imagination is a powerful tool. World-building is a very important component in my preparation. Just doing loads of research and finding different entry points into the characters inner landscape. That’s how I get to those emotional places.</p>
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<p class="font_8">@deflorenciofashion @pasunemarque @etclosangeles</p>

Ernest Kingsley Jr.

<p class="font_8">Harry Trevaldwyn is a quietly rising force in film and television, with an impressive résumé spanning from <em>The Bubble </em>on Netflix to <em>My Lady Jane</em>. But his latest role might just be his most fun yet: Tuffnut in the live-action remake of <em>How to Train Your Dragon</em>.</p>
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<p class="font_8">With a growing list of standout projects, Trevaldwyn reflected on how this particular one stood out, “I got so excited meeting Dean, the director and especially when I met Gabe and Bronwyn in those chemistry reads, I was like, oh gosh. Now I really, really want it.”</p>
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<p class="font_8">Tuffnut is one of the franchise’s many beloved characters, part of a cult fandom that grew up with the original animated films and are now returning as adults — some with their own children in tow.</p>
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<p class="font_8">“I think the emotional bit comes when you leave a character, especially if you don’t know if you’re going to be playing them again. You’ve put all this time in, and then you’re like, ‘Oh no. I’m done with this person now. That’s so sad.’”</p>
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<p class="font_8">Through the announcement of the live remake sparked scepticism, Trevaldwyn approached the project with confidence.</p>
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<p class="font_8">“It’s an overwhelming task,” he admits. “But I felt like it was made with such love and honouring the original, while also bringing something fresh life to it. You can love the original and love the remake. No one’s making you pick between the two.”</p>
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<p class="font_8">With multiple projects in both his rearview and future, including the upcoming film adaptation of the viral romance novel <em>My Oxford Year, </em>Trevaldwyn shares how jumping between sets has shaped his perspective.</p>
<p class="font_8">“I think what I‘ve mostly learned is surrendering and trusting in collaboration. From an acting perspective, it’s quite rare to keep meeting new friends as you go. I think that’s a really lovely thing.”</p>
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<p class="font_8">He adds that although the <em>How to Train Your Dragon</em> cast had filmed entirely on location, they bonded quickly. “Bizarrely, I hadn’t met any of them before, but somehow we all kind of knew each other from different things. So, it felt like doing a summer camp.”</p>

Harry Trevaldwyn

<p class="font_8">Motivated by a desire to meet new people and learn from the stories of those around her, Bobbi Althoff has entered the chat and at a time where her podcast series, <em>The Really Good podcast,</em> is soaring into the public eye. However, there’s more to it than meets the eye, as Bobbi shares with us her experiences balancing a busy schedule with motherhood and finding space to maintain some form of privacy.</p>
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<p class="font_8">With the pressures of social media and the opinions that come with it, Bobbi opens up about the importance of community and mental health, with therapy playing a big role. When it comes to the impact of trolling, Bobbi wants to set the record straight regarding people's perceptions of her.</p>
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<p class="font_8">"I'm very interested in other people's lives,” Bobbi explains. “I think I've learned a lot from my dad. When he talks to people, it's very much about them, rather than himself.”</p>
<p class="font_8"><br></p>
<p class="font_8">"I want to get to know the person," Bobbi tells me, “I think when I'm having conversations with people, it's easy for them to start talking because I just ask questions. I ask a lot of questions, and I don't shy away from questions that I don't necessarily know the answer to.”</p>
<p class="font_8"><br></p>
<p class="font_8">Bobbi isn’t afraid to be candid, whether it’s with her guests or with me during our interview. Her interviewing style is unapologetically her: witty, inquisitive, with a pinch of awkward.</p>
<p class="font_8"><br></p>
<p class="font_8">Behind the scenes, Bobbi balances a busy career with being a full-time mum, where her kids take priority. There’s no break in between, as she cuddles and nurses her youngest on the other end of the phone- an honest reality that her work is never done, on or off the camera.</p>
<p class="font_8"><br></p>
<p class="font_8">Just like many other mums, she’s had to carve out moments and interactions that weren’t just about motherhood. Still, aside from those moments, motherhood remains central for her. She confessing they are the best moments of her life, stress and all.</p>
<p class="font_8"><br></p>
<p class="font_8">"Before I had kids, I already had so much anxiety about my future. Who am I going to be? What will I do? Will I get married?”</p>
<p class="font_8"><br></p>
<p class="font_8">Bobbi tells me she would stay up at night thinking about it- a whole other level of anxiety.</p>
<p class="font_8"><br></p>
<p class="font_8">“I have to be successful because I have two kids who depend on me. Still to this day, I lie awake at night, stressing out about what I am going to do next. How do I make this something that provides for my kids forever, and not just for right now? They are the most important people to me?”</p>
<p class="font_8"><br></p>
<p class="font_8">Her honesty about the anxiety of being a parent is something I know many others bear the weight of. But Bobbi isn’t one to shy away from the topic, speaking openly about her journey to motherhood.</p>
<p class="font_8"><br></p>
<p class="font_8">"In a way, I rushed into everything. I wanted it so badly because, as a child, all I had ever wanted in life was to get married, have kids, and be a housewife. I achieved all of that. I was so young. I was 22 when I had my first daughter, and at the time, I felt so grown up. I look at 22-year-olds now, and I'm like, Oh my God, you're a baby. And to think I thought I was so grown.”</p>
<p class="font_8"><br></p>
<p class="font_8">Following the birth of her second child at 24, Bobbi found herself going through a divorce. Dusting herself down and picking herself up, she tells me about the uncertainty she faced at the time- this time knowing she had her kids to live for.</p>
<p class="font_8"><br></p>
<p class="font_8">Having seen her career skyrocket on TikTok, with millions getting to know her, I’m curious about how she navigates people's perceptions. I ask what the internet doesn’t see behind closed doors.</p>
<p class="font_8"><br></p>
<p class="font_8">"I think that people, in general, in my comment sections and across the internet, have this idea that I have no relationship with my kids. I know that's the number one thing people are quick to comment: ‘She left her children for fame’”.</p>
<p class="font_8"><br></p>
<p class="font_8">She confides that it can be hard not to let people get into your head, as it’s the criticism she hears most often.</p>

Bobbi Althoff

<p class="font_8">Known for her standout role as Gaal Dornick in the epic sci-fi series <em>Foundation,</em> Lou Llobell’s creative journey as a self-confessed instinctive actor is all about diving headfirst into the evolution of her character. From intense acting preparation to exploring Gaal's emotional and intellectual growth across the series, Lou continues to find joy in returning to the role.</p>
<p class="font_8"><br></p>
<p class="font_8">In conversation, she opens up about the shifting narrative perspectives, the personal connection she feels to her work, and how the physicality of stunt training, fan interactions, and the challenges of the industry all shape her as one of today’s most exciting rising stars.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong></p>
<p class="font_8"><strong>I want to start with </strong><em><strong>Foundation. </strong></em><strong>The response looks like it’s been amazing and it’s such an incredible series. I guess the best place to begin is with Gaal. Was it daunting getting to know such a major character through the scripts beforehand?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Lou Llobell:</strong></p>
<p class="font_8">Funny enough. I didn't read all the scripts before. I think I did my first audition for these six years ago now. So here we are, season three. It's exciting to see how she's grown from being kind of a deer in headlights, so innocent and new to everything, to&nbsp;now&nbsp;taking control.</p>
<p class="font_8"><br></p>
<p class="font_8">It's exciting for me, because I feel like I've just hit my stride with this character. I've been lucky to have had two seasons to unravel who she is and dig deep. So, coming back this season, I felt excited to see her in a different light.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>How has she evolved? Have you enjoyed watching that evolution?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">It feels very much in parallel with who I am, and who I’ve become as an actor. I started out wide-eyed and a little naive, stepping into this whirlwind industry.</p>
<p class="font_8"><br></p>
<p class="font_8">Gaal is caught up in everything happening with Hari Seldon and psychohistory, and it’s been interesting to explore how she navigates all of that, while I’m also navigating my growth.</p>
<p class="font_8"><br></p>
<p class="font_8">This season, she really becomes a woman. She is honing her talents and abilities, and she's making sacrifices for the greater good. That's fun to play – she's a heroine, but one who’s making heartbreaking choices.</p>
<p class="font_8">It's interesting because when we think about our own identities and how long they take to form, it’s similar with characters. There are bits you love, there are pitfalls, and it takes time to really know them.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>When you read a script, do you get a sense of who a character is straight away, or is it more when you're on set and in the headspace?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">I think I'm more of an instinctive actor. I prepare and I read the scripts, do my research. But once you're there, and you’ve done more scenes, it starts to flow more easily.</p>
<p class="font_8">You come in prepared, but things shift on the day depending on what everyone else is doing.</p>
<p class="font_8">For Gaal, especially, it’s been a shift. In seasons one and two, she’s quite isolated. In season two, she starts interacting more with Harry and Salvo, and now in season three,&nbsp;she's in a group scene, which is a change. It's interesting watching her navigate that.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>It’s always interesting to see how characters age and evolve on screen — especially in shows like this, where viewers grow attached to who they were early on.</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">Totally. I feel&nbsp;lucky to have become so connected to Gaal. I was watching some of season one and two last night. I haven't watched it in years.</p>
<p class="font_8"><br></p>
<p class="font_8">Now, having done season three, I can really see the difference. I look like such a child. It’s wild. I even made a conscious choice this season to lower my voice, just slightly deeper than the higher pitch I used before. Even that tiny change makes a huge difference.</p>
<p class="font_8"><br></p>
<p class="font_8">I don't know if anyone else notices those things, but I think it works. She feels more mature now, more in control. She knows where she's going, what she wants, and nothing's going to stop her. I think that's inspiring.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>Do you feel like you and Gaal anything in common?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">We’re quite different. She's a more contained, whereas I’m probably looser in energy.</p>
<p class="font_8">But she’s grown so much in her communication and confidence, especially coming from a repressed water planet where people don’t leave. She’s one of the first to step outside that world.</p>
<p class="font_8">There’s a part of me in her, especially in the way she adapts.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>A:</strong></p>
<p class="font_8"><strong>Do you enjoy watching yourself back?</strong></p>
<p class="font_8"><br></p>
<p class="font_8"><strong>LL:</strong></p>
<p class="font_8">I have a process with it. I usually watch something four times. The first three times, I'm critiquing everything: Why did I do that? But the fourth time, I see it as a piece of art.</p>
<p class="font_8">The most exciting thing is watching everyone else's storyline. I know the script so well, but seeing how everyone brings their characters to life, that’s the joy. When there’s that one scene you weren’t sure about, and you see how it <em>works</em>, it’s such a satisfying feeling.</p>

Lou Llobell

<p class="font_8">It’s a sweltering day in London, and Will Merrick is doing what many of us are - hiding in a blacked-out room, trying to keep the heat at bay. “Our houses are designed to keep heat in,” he laughs. “Everyone I know not from the UK is like, ‘Why is your flat so hot?’” Despite the oppressive weather, Merrick is in good spirits, chatting from his writing den, where he and his writing partner are wrestling with a new script. “Your brain’s probably like, ‘No, I’m not going to work. Thanks,’” he jokes, capturing the collective mood of a city wilting under the sun.</p>
<p class="font_8"><br></p>
<p class="font_8">Merrick’s journey from his breakout role in <em>Skins</em> to the high-octane world of Formula 1 – his journey has been anything but ordinary. “The only way I could describe it is that it felt a bit like going from a dodgy teenage house party to the Monaco Grand Prix.”</p>
<p class="font_8"><br></p>
<p class="font_8">“I was 17 when I started <em>Skins</em>,” he recalls. “It’s a big jump. Most of your friends are at college, and you’re stepping into this industry.” That early leap into the limelight taught him the perils of overthinking - a habit he admits intensified in his twenties. “I’d do a whole series and realize I’d worried my way through it,” he says. “Eventually, I learned to just do the work, have fun, and let it go.”</p>
<p class="font_8"><br></p>
<p class="font_8">Discussing his latest film project <em>F1</em>, Merrick’s excitement is palpable. The production followed real F1 races across Europe, from Monza to Budapest, with only a week spent in the studio.&nbsp;And as surprising as that may sound in a world saturated with CGI-heavy films, it’s refreshing—something to genuinely look forward to as a cinephile.</p>
<p class="font_8"><br></p>
<p class="font_8">“We had the best seats in the house,” he grins. “Shooting on race day, in the middle of the action - Brad [Pitt] even did a formation lap during a real race. I’m still waiting for my invite to do that, but I’m guessing they want someone who can drive without stalling.”</p>
<p class="font_8"><br></p>
<p class="font_8">The film’s authenticity was bolstered by the presence of F1 insiders like Bernie Collins, a former strategist turned presenter who schooled Merrick on the art of pit wall banter.</p>
<p class="font_8"><br></p>
<p class="font_8">“She was our go-to for everything,” he explains. “We’d go through every race with her, learning the terminology, the strategy, and the art of those clinical, rapid-fire pit wall communications. It’s like Morse code, but with more shouting and fewer dots and dashes,” he laughs. “They deliver info in tiny bursts that can make or break a race. It’s basically the world’s most intense game of telephone.”</p>
<p class="font_8"><br></p>
<p class="font_8">For Merrick, the draw of a script always comes down to character. “If I get excited by the idea of what I’d do with a character, that’s what matters most. Everything else - an exciting filmmaker, a strong script is a bonus.”</p>
<p class="font_8">He lights up recalling the technical innovations on the F1 film, particularly proud of the cutting-edge camera work that gives viewers a peek inside the cockpit like never before. “It’s so engaging, so thrilling. I was gripped the whole way through.”</p>
<p class="font_8"><br></p>
<p class="font_8">Not all roles offer the freedom of fiction. Merrick reflects on playing snooker legend Steve Davis in the <em>BBC</em> film <em>The Rat Pack</em> as one of his most demanding experiences.</p>
<p class="font_8"><br></p>
<p class="font_8">“It’s a real challenge. You’re studying source material, perfecting mannerisms and voice, but you can’t just do an impersonation,” he says. He remembers the pressure of living up to a real person’s legacy, especially when they’re still alive. “There’s a specificity to it. People expect a certain essence.”</p>
<p class="font_8"><br></p>
<p class="font_8">A pivotal moment came when director Brian Welch gave him a stern pep talk about preparation. “He basically said, ‘Get your shit together.’ It was the best thing that could have happened. I realized I wasn’t inventing a character - I had to embody someone the audience already knew. It changed how I work forever.”</p>
<p class="font_8"><br></p>
<p class="font_8">Merrick is refreshingly honest about his struggles with anxiety. “I used to think worrying was like a superpower,” he says. “Turns out it’s more like a kryptonite that makes you want to hide under the duvet.”</p>
<p class="font_8"><br></p>
<p class="font_8">Acting helped him realize that sometimes you just have to do the work and let go. “The best actors I know are the ones who can get out of their own heads. I’m working on it - slowly, with lots of tea and deep breaths.”</p>

Will Merrick

<p class="font_8">When finding a state of flow between wellbeing and working within the creative industries,&nbsp;Will&nbsp;Best&nbsp;is no stranger to putting his&nbsp;best&nbsp;foot forward regarding its nuance. It's become a state of mind for&nbsp;Will, focusing and prioritising joy and balance. We sit down with&nbsp;Will&nbsp;for his HATC digital cover to discuss the OG Big Brother and our potential to manage anxiety and prioritise what brings you peace and joy.&nbsp;</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;What a great shoot we all had! It was so much fun!</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Everyone did such a fantastic job!</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's always such a lovely thing to do things that we enjoy. When it comes to finding work, doing something you love is key, or at least for me, having joy in what we do is essential. How have you found joy in your work, and how important has that element been?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;It's precisely that thing of wanting to do something that I enjoyed, or at least wanting to do something fun. When I first finished uni, I started working in advertising. I worked for a big advertising&nbsp;<em>agency</em>&nbsp;up in Manchester&nbsp;before&nbsp;I moved down to London and got a job&nbsp;<em>at an agency in London, working on the Nike account. If you want to work in advertising, which I thought maybe I would do, working on Nike is your dream job.</em>&nbsp;You know you've made it, but I realised on day two that it was not my dream job. And even though you're working adjacent to an amazing creative advertising campaign, my job was the middleman between the client and the&nbsp;<em>creatives</em>. I was absolutely terrible at it. And I don't know whether I was awful at it because I realised I didn't want to do it or whether I didn't want to do it because I was terrible at it, but either way, I was beyond miserable. I think it was made worse because it was such a competitive industry at the time, and I knew how lucky I was to get this job. The fact that I was not enjoying it felt like a terrible waste. I used to get the tube into Shoreditch and Liverpool Street from Finsbury Park, and with every&nbsp;interaction I had on my way to work, I would wish I had that person's job. Everything else seemed better than what I was doing. And it made me realise that while I'm still young and footloose, I should do something just fun, which might open doors to other things. At the time, two of my biggest passions were music and comedy – and I'm neither a musician nor a comedian.</p>
<p class="font_8"><br></p>
<p class="font_8">I used to watch T4 all the time at uni, and I used to think they were funny and that they were interviewing bands and musicians. They were also all getting jobs on the radio from the back of this. I thought that was where I wanted to be, so I gave myself a year. I quit my job and gave myself a year to try and get on the telly, but specifically, not just on the telly for telly's sake; I wanted to be around music and all kinds of things that I was interested in. And then a series of incredibly fortunate events all fell into place. At the end of the year, I got my first job on MTV, before channel four. But I'm deeply aware the world was different&nbsp;<em>back then</em>, and it was so much down to luck.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's a harsh industry to break into, especially with all the technology and mediums we have now, let alone when it comes to the financial side of things.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;When I was first starting out, the thing that gave me the impetus to be able to quit that job in advertising was that a friend of mine at a party, I was talking to him about how I'm thinking of, like, I hate my job, and I'm thinking of this TV thing, which seemed like a mad idea. He knew somebody who was casting for these educational videos for English language students in Germany and Italy. He put me in touch with his person, and I went to this casting and got this job presenting these random videos. It was an incredibly low budget, but it was paid. The pay from those videos was the equivalent of six weeks' salary<em>&nbsp;in my advertising job</em>,&nbsp;<em>meaning</em>&nbsp;I could pay the rent if I quit&nbsp;<em>that and have time to find more work</em>.&nbsp;Back then, rent was cheap. You could live somewhere in London. I could afford to work part-time in bars to support myself for that year and still have the time to get a showreel together. So, I interviewed bands and did random things to get a showreel together. But nowadays, unless you have parents who live in London, it's really hard.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong> You've since come to start hosting Big Brother, which is obviously iconic for so many of us. The early series were the height of reality TV when we were growing up. It's so interesting, and even when it stopped, iconic moments have carried over onto new social media to the point that the next generation still knows about them! I'm talking about Gemma Collin's iconic moments.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong> Yeah, Big Brother got a new lease of life on TikTok before we relaunched it. It hadn't been on TV for six years, but the memes kept it alive, and young people were excited even if they didn't watch it the first time. We knew there was a lot of pressure—fans are passionate—but we're fans, too, so no one put more pressure on the show than we did.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;Especially in this cancel culture era—it must have been nerve-wracking.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Definitely. But we have systems in place. If someone crosses a line, they're warned or removed, and the show continues. The arbiter of what is and isn't acceptable is the public's take on it all. The welfare of everybody in the house is the most important thing. And as soon as somebody says or does something that makes other people in the house feel they can't continue their experience without feeling, you know, afraid, that's the line.&nbsp;<em>In the most recent celeb series</em>Mickey was ejected, and it was discussed, it was dealt with, and then we carried on with the show. There was the&nbsp;<em>safety net</em>, you know, and then everybody else left in the house could have their moment and flourish. The point of Big Brother is to reflect real people's views. The public decides if they like someone. The show's always surprising—every season, it delivers drama, laughter, and moments you couldn't script. That's why it's still going after all these years.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;Do you still find yourself surprised by each series?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;The lesson I learned quickly and knew as a&nbsp;<em>fan of the show</em>&nbsp;is to trust the format. It will always throw surprises at&nbsp;you. You cannot script it. If you sat down and tried to imagine the arc of a series or what people would say and do, it's literally impossible. In every series, you will be surprised. In every series, there will be drama, there will be laughter, and there will be everything you need for an incredible entertainment experience. It will consistently deliver. And there's a reason why Big Brother is one of the most enduring TV shows in the world. Big Brother has been on in multiple countries every part of the year, without fail, since it started.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;It's so true—Big Brother has stood the test of time, unlike other shows that fizzled out. And it's great that you prioritise housemates' welfare. On a personal level, when it comes to your own wellbeing and having boundaries, how do you manage to look after your own mental health?</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;I think for me it's a kind of an ongoing struggle, really, like I'm aware of the areas that I struggle with in terms of mental health, and that is around anxiety, health anxiety, those sorts of things. I know that I catastrophise. But I've become more&nbsp;<em>adept at&nbsp;</em>self-reflection. I'm not afraid of talking to my fiancée about it or my friends and family about it. I found that that has got me to a certain point in terms of managing it, but I am terrible at taking the next step and consistently working on it more meaningfully.&nbsp;I've struggled with anxiety and health anxiety for years. I've tried EMDR therapy, which was really helpful, but I haven't kept up with it as I should. Life is so busy—TV, radio, other projects—and I always put myself last on the list. But I know that prioritising my mental health a little more would help me do everything else better.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Alice:</strong>&nbsp;I totally get that. Sometimes, you need a break from therapy to live your life and be in a space and breathe. My mom always tells me that if I'm trying my best—going to appointments, taking meds, doing what I can—that's enough. Perfection isn't realistic, and we need to give ourselves grace.</p>
<p class="font_8"><br></p>
<p class="font_8"><strong>Will:</strong>&nbsp;Absolutely. I hope to set a good example by being honest about it, but there's always room to improve.</p>
<p class="font_8">Alice: Definitely. Everyone has their own little joys. For example, I love F1 on Sundays and grabbing coffee. What's yours?</p>

Will Best

<p class="font_8">Madeline Brewer has built a career playing women on the edge. From the vulnerable yet defiant Tricia in 'Orange Is the New Black' to the eerie, surreal world of 'Cam', and, of course, the unforgettable Janine in 'The Handmaid's Tale', Brewer has consistently chosen roles that challenge both her and her audience. Her characters are raw, complex, and often trapped in oppressive systems—yet they fight, adapt, and survive. But what does that kind of work do to an actor's mind? How does she step into such intense roles without losing herself in them?</p>
<p class="font_8"><br></p>
<p class="font_8">Off-screen, she speaks with an openness that makes it clear she feels things deeply, someone who takes her work seriously but doesn't let it define her entire world. With the release of the final season of The Handmaid's Tale and her upcoming role in You, it's a fitting time for a conversation that weaves through the intensity of her career, the importance of mental health, and the small but essential joys that keep her grounded.</p>
<p class="font_8"><br></p>
<p class="font_8">Brewer doesn't shy away from acknowledging the toll her roles can take. For six seasons, Brewer has embodied Janine—a woman who has endured unspeakable trauma yet clings to hope in the dystopian nightmare of The Handmaid's Tale. From losing an eye as punishment in season one to being shuffled between commanders and forced into exile in Chicago, Janine has experienced some of the most harrowing moments in the series. And while audiences watch from a safe distance, Brewer has lived inside that pain for years. "I did a scene in this season where I was truly in fight-or-flight mode; I was really on edge," she recalls. "My body didn't know the difference between what was real and what wasn't—it just knew what it was experiencing."</p>

Madeline Brewer

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