Alice Gee | 03/10/2025

HATC: You have the upcoming release of  “A Place I Recognise”. How has the EP paired with some of the most transformative moments you’ve experienced? 

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Elina: It’s so different to create from a headspace that is healthy and happy. I lived in Stockholm for almost a decade, and in the beginning, it was a must-do in order, to pursue a music career in Sweden. I gained a lot of experience, but I also lost a big part of myself in that environment. It’s only recently that I’ve started to rebuild myself. Now, I live in a calm place close to my hometown. I only surround myself with people I genuinely want to be around and I actually, listen to my body. It’s been life-changing, really. That’s what the title stands for- coming out of this thick fog and returning to something that reminds you of who you used to be.  

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HATC: How has writing “Scars” been part of finding and celebrating your authentic self? 

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E: I’ve been fighting the battle of trying to keep distance from the social media inferno we’re all forced into, both as an artist and as a person. That’s why releasing Scars felt so important. It’s a reminder, for myself and hopefully for those who listen, that we’re enough as we are. We’re worthy of love despite imperfections and shortcomings. 

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HATC: When writing “ Scars” and touching on unrealistic standards – like comparing our lives to others – was it sobering to reflect on always searching for greener grass? 

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E: Absolutely. After the session in London with James and Mikey, when we wrote the song, it really sank in. Music became a way to express a message I’ve always wanted to share, with myself and others. Navigating today’s social climate is overwhelming. The more you pay attention to it, the more you see how much it affects you. Staying aware and keeping your distance is crucial so it doesn’t take over. 

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HATC: Did writing “Scars” show you how authenticity and connection are linked? 

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E: Completely. The more honest and open we are about insecurity, comparison, and self-worth – the deeper our connections become. Being real, even when it’s messy, is what actually brings us closer together. 

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HATC: What were you feeling when you wrote  “Scars”? 

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E: It was my first time writing with James, and the theme came up quite naturally. As songwriters, we often sit in a room with strangers and are expected to let our guards down. It’s so weird, but it’s become second nature. This time, our writing styles resonated, and I love how direct and simple the song feels. Sometimes the simplest words carry the most powerful messages. 

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HATC: “Scars” often carry stories. How do you hope this song resonates with listeners? 

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E: I hope it helps people feel seen and understood and reminds them they’re enough just as they are. My goal is always to offer hope, togetherness, joy and deeper understanding. Music has given that to me. If I can create that for someone else, even just one person, that’s enough. 

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HATC: How do you think you’ve grown as an artist by being so open? 

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E: Transparency has always come naturally to me, and it’s at the heart of this project. There’s no persona, which makes the music feel vulnerable, but also authentic. I’ve processed so much of my inner life through my songs, helping myself and others. It’s a constant learning process, but I believe authenticity and openness are needed everywhere. 

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HATC: Which of your songs feels most personal to you? 

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E: This entire EP. All four songs reflect exactly where I’m at in life, finding healthy love, leaving Stockholm, and building a life that truly supports who I am. Each release has captured a different version of myself. 

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HATC: “Waiting Room” feels rooted in restlessness. How have you handled the anxiety of those in-between moments? 

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E: It came from that “in-between” space, knowing something needs to shift but not being there yet. I’ve had many of those moments. Learning patience and trusting the process has been key. These days, I try to stay grounded, listen to what I need, and let things unfold naturally.  

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HATC: How do you hope your personal experiences continue to shape your music? 

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E: Everything I go through ends up in the music – joy, heartbreak, growth, all of it. I don’t really separate my personal life from my songwriting. My hope is that by staying honest about my feelings and experiences, the songs grow with me and help others see their own stories reflected too. 

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HATC: Your music often suggests the importance of cutting ties with something that no longer serve us. Has it become easier to prioritise your wellbeing? 

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E: Easier, yes, but it’s still something I actively work on. I used to hold on to people, places and habits out of fear or familiarity. I’ve learned that choosing yourself isn’t selfish, it’s necessary. Letting go has created space for the life I truly want.  

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HATC: What do you love most about storytelling through music? 

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E: Music helps me say things I might not have the words for otherwise. It’s a powerful way to process emotions. I’ve always loved songs that make you feel understood and being able to create that for someone else is a privilege. At its core, it’s about connection – turning something deeply personal into something universal. 

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HATC: Do you hope your openness shows fans that love can hold space, imperfections and all? 

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E: Yes, that’s a huge part of why I choose to be open. Love isn’t perfection, it's presence. It’s about holding space for flaws and fears. The more we share our truths, the more we give others permission to do the same. I hope my songs remind that people they’re worthy of that kind of love, just as you are.